But also engraved in the wax is the following text: "patented nov 25, ".
Also, according to the label, Columbia apparently won a Grand Prize in St. It is a single sided record, and since Columbia started making double-faced records inmy best guess is that this record dates from the period. Maybe one of you guys or gals can help me narrow this down? The records usually continued to be issued under the same catalog number but with whatever label design scheme was current.
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For example, very early s Caruso recordings on Victor Red Seal remained in the catalog for decades so you can find copies of such recordings with datings records of all of the various label design changes that took place during those years. The same is also pretty common on successful records issued in the year or two before Victor changed from the its "scroll" label design to its "circular" label design in You can find examples of many swing era recordings by Benny Goodman and Fats Waller on both the scroll label and the circular label.
If all you are interested in is just a copy in the dating 78 records possible condition to listen to, it usually doesn't matter one way or another. But my understanding is that, in most cases, the label design that was current when the record was initially issued is usually considered to be the more collectible.
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Those very early Columbia recordings can also be confusing in that, when Columbia came out with its double disc records ina great many of those early recordings were paired up and issued under a new catalog number. Their old catalog number, however, appears on the label as the matrix number.
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The pre single sided Columbias did not have matrix numbers - the catalog number was the matrix number. Also, it was also very common for those early Columbia records to also be issued, sometimes with pseudonymous artist credits, on various client labels that Columbia pressed - for example Harvard and Oxford which were in-house labels for Sears, Roebuck and Company as dating 78 records as the Standard, Harmony and United labels, all of which had over sized spindle holes designed to fit phonographs made by specific manufacturers.
Phonographs with the odd sized spindles were sold at a discount or given away as premiums because, to use them, owners had to buy their brand of records with the correct sized hole or drill out wider holes in records from other labels - which was not uncommon for people to do. Those client labels, however, usually provide a matrix number - which, again, for pre Columbia recordings, was the same as the original Columbia catalog number.
So, if I understand it correctly, while my record dates from the recording it features is indeed frombut this particular record is https://masterlovesearch.today/term13/d373.php reissue?
No, it is not a reissue. It is simply a later pressing of the same issue.
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The only way of dating 78 records able to date a later pressing is by any changes that might have been made in label design or pressing materials during the time since the initial pressing. Had the Columbia label design not changed, there would be no way of being able to date the pressing.
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A reissue is when a recording is brought out under a different catalog number or even on a entirely different record label. Usually this occurs after the original issue has been out of print for a while. But there are exceptions. For instance, if that particular recording had been paired up with another recording when Columbia brought out double sided discs inthat would qualify as a reissue.
But copies of a record disc Columbia issued in that remained in the catalog through the end of the acoustic era in would all be considered the same issue, though collectors will run across pressings reflecting three significantly different label designs and many, many more sub variations of each of those three designs.
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Usually, from a collecting standpoint, a label reflecting an early pressing is considered more desirable. But there a exceptions to that. It wouldn't dating records me, in fact, if there are collectors, who attempt to pick up copies of various favorite records reflecting the various label designs - and some of those label designs will be harder to find than others. For example, a Columbia issue which stayed in the catalog would have initially been pressed as a standard Viva-Tonal - but you might find examples pressed in the Royal Blue shellac that Columbia switched to in late The very early blue wax discs still used the old black Viva-Tonal labels, and when those labels ran out, a blue label was used.
When Columbia discontinued the blue shellac, the blue label continued to be used but on black shellac. Columbia pressings become increasingly rare as the s progressed until of course, after ARC was bought out by CBS inafter which they became as common as dirt. Those pressings are laminated go here they are basically Viva-Tonals with a Brunswick or Melotone label.
As you have probably noticed, records from the s and s pressed by Columbia such as Viva-Tonals, electrical Okehs, Harmony, etc are a higher quality product and much quieter than standard Brunswicks and other ARC labels.
So if you have a choice between a copy of a record in comparable condition on a normal Brunswick or a laminated Brunswick pressed in an old Columbia plant, you will want to go for the laminated copy as it dating records be MUCH superior. One more thing along these lines - not all examples of a dating records recording having different label and catalog numbers are considered reissues.
For example, in the s and early s, all records issued on Columbia's subsidiary Harmony label were also issued on Diva and Velvet Tone. And it was very common in the early s for records on ARC to be issued at the same time on.